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<div id="featuretext">

<h1>Unintended Consequences: </h1>
<h2>Five Years under the DMCA</h2>

<p>[<a href="unintended_consequences.pdf">Download PDF</a> 292k]</p>

<p><span class="smnote">This document is version 3.  Previous versions are still available: <a href="20030102_dmca_unintended_consequences.html">version 2</a>,  <a href="20020503_dmca_consequences.html">version 1</a>.</span></p>

<h3>1.&nbsp;&nbsp; Executive
    Summary</h3>
  <p>Since they were enacted in 1998, the “anti-circumvention” provisions
    of the Digital Millennium Copyright Act (“DMCA”), codified in section 1201
    of the Copyright Act, have not been used as Congress envisioned. Congress
    meant to stop copyright pirates from defeating anti-piracy protections added
    to copyrighted works, and to ban “black box” devices intended for that purpose.<a href="#_edn1" name="_ednref1" title="">[1]</a> </p>
  <p>In practice, the anti-circumvention provisions have been used
    to stifle a wide array of legitimate activities, rather than to stop copyright
    piracy. As a result, the DMCA has developed into a serious threat to several
    important public policy priorities:</p>
  <p class=Doubleindent><b>Section 1201 Chills Free Expression and Scientific
      Research</b>. </p>
  <p class=Doubleindent>Experience with section 1201 demonstrates that it is
    being used to stifle free speech and scientific research. The lawsuit against <i>2600</i> magazine, threats against Princeton Professor Edward
    Felten’s team of researchers, and prosecution of Russian programmer Dmitry
    Sklyarov have chilled the legitimate activities of journalists, publishers,
    scientists, students, program–mers, and members of the public. </p>
  <p class=Doubleindent><b>Section 1201 Jeopardizes Fair Use</b>. </p>
  <p class=Doubleindent>By banning all acts of circumvention, and all technologies
    and tools that can be used for circumvention, section 1201 grants to copyright
    owners the power to unilaterally eliminate the public’s fair use rights.
    Already, the music industry has begun deploying “copy-protected CDs” that
    promise to curtail consumers’ ability to make legitimate, personal copies
    of music they have purchased. </p>
  <p class=Doubleindent><b>Section 1201 Impedes Competition and Innovation</b>.</p>
  <p class=Doubleindent>Rather than focusing on pirates, many copyright owners
    have wielded the DMCA to hinder their legitimate competitors. For example,
    Sony has invoked section 1201 to protect its monopoly on Playstation video
    game consoles, as well as their “regionalization” system limiting users in
    one country from playing games legitimately purchased in another.</p>
  <p class=Doubleindent><b>Section 1201 Becomes All-Purpose Ban on Access To
      Computer Networks</b></p>
  <p class=Doubleindent>Further, section 1201 has been misused as a new general-purpose
    prohibition on computer network access which, unlike the several federal “anti-hacking” statutes
    that already protect computer network owners from unauthorized intrusions,
    lacks any financial harm threshold. Disgruntled ex-employer Pearl Investment’s
    use of the DMCA against a contract programmer who connected to the company’s
    computer system through a password-protected Virtual Private Network illustrates
    the potential for unscrupulous persons to misuse the DMCA to achieve what
    would not be possible under existing computer access regulation regimes.</p>
  <p>This document collects a number of reported cases where the anti-circumvention
    provisions of the DMCA have been invoked not against pirates, but against
    consumers, scientists, and legitimate comp–etitors. It will be updated from
    time to time as additional cases come to light. The latest version can always
    be obtained at www.eff.org.</p>
  <h3>2.&nbsp;&nbsp; DMCA Legislative
    Background</h3>
  <p>Congress enacted section 1201 in response to two pressures. Congress
    was responding to the perceived need to implement obligations imposed on
    the U.S. by the 1996 World Intellectual Property Or–ganization (WIPO) Copyright
    Treaty. Section 1201, however, went further than the WIPO treaty required.<a
name="_Ref399669150"></a><a href="#_edn2" name="_ednref2" title="">[2]</a> The details of section 1201, then, were
    a response not just to U.S. treaty obligations, but also to the concerns
    of copyright owners that their works would be widely pirated in the networked
    digital world.<a href="#_edn3" name="_ednref3" title="">[3]</a></p>
  <p>Section 1201 contains two distinct prohibitions: a ban on <i>acts</i> of circumvention, and a ban on the <i>distribution
      of tools and technologies</i> used for circumvention. </p>
  <p>The first prohibition, set
    out in section 1201(a)(1), prohibits the <i>act </i>of circumventing a technological measure used by copyright owners to
    control access to their works (“access controls”). So, for example, this
    provision makes it unlawful to defeat the encryption system used on DVD movies.
    This ban on acts of circumvention applies even where the purpose for decrypting
    the movie would otherwise be legitimate. As a result, when Disney’s <i>Tarzan</i> DVD prevents you from fast-forwarding through the
    commercials that preface the feature presentation, efforts to circumvent
    this restriction would be unlawful. </p>
  <p>Second, sections 1201(a)(2) and 1201(b) outlaw the manufacture,
    sale, distribution or trafficking of <i>tools and technologies</i> that make circumvention possible. These provisions
    ban both technologies that defeat <i>access</i> controls, and also technologies that defeat use restrictions imposed
    by copyright owners, such as <i>copy controls. </i>These provisions prevent technology vendors from taking
    steps to defeat the “copy-protection” now appearing on many music CDs, for
    example.</p>
  <p>Section 1201 also includes a number of exceptions for certain
    limited classes of activities, including security testing, reverse engineering
    of software, encryption research, and law enforcement. These exceptions have
    been extensively criticized as being too narrow to be of real use to the
    constituencies who they were intended to assist.<a href="#_edn4" name="_ednref4"
title="">[4]</a> </p>
  <p>A violation of any of the “act” or “tools” prohibitions is subject
    to significant civil and, in some circumstances, criminal penalties. </p>
  <h3>3.&nbsp;&nbsp; Free Expression
    and Scientific Research</h3>
  <p>Section 1201 is being used by a number of copyright owners to
    stifle free speech and legitimate scientific research. The lawsuit against <i>2600</i> magazine, threats against Princeton Professor Edward
    Felten’s team of researchers, and prosecution of the Russian programmer Dmitry
    Sklyarov have chilled a variety of legitimate activities. </p>
  <p>Bowing to DMCA liability fears, online service providers and
    bulletin board operators have begun to censor discussions of copy-protection
    systems, programmers have removed computer security programs from their websites,
    and students, scientists and security experts have stopped publishing details
    of their research on existing security protocols. Foreign scientists are
    increasingly uneasy about traveling to the United States out of fear of possible
    DMCA liability, and certain technical conferences have begun to relocate
    overseas. </p>
  <p>These developments will ultimately result in weakened security
    for all computer users (including, ironically, for copyright owners counting
    on technical measures to protect their works), as security researchers shy
    away from research that might run afoul of section 1201.<a href="#_edn5"
name="_ednref5" title="">[5]</a> </p>
  <h4>Cyber-Security Czar Notes Chill on Research</h4>
  <p>Speaking at MIT in October 2002, White House Cyber Security Chief
    Richard Clarke called for DMCA reform, noting his concern that the DMCA had
    been used to chill legitimate computer security research. The <i>Boston Globe</i> quoted Clarke as saying, “I think a lot of people
    didn\'t realize that it would have this potential chilling effect on vulnerability
    research.”</p>
  <p>Jonathan Band, “Congress Unknowingly Undermines Cyber-Security,” S.J. Mercury
      News, Dec. 16, 2002.<br />
    <a href="http://www.siliconvalley.com/mld/siliconvalley/4750224.htm">http://www.siliconvalley.com/mld/siliconvalley/4750224.htm</a></p>
  <p>Hiawatha Bray, “Cyber Chief Speaks on Data Network Security,” <i>The
      Boston Globe,</i> October 17, 2002.<br />
    <a href="http://www.boston.com/globe/search/">http://www.boston.com/globe/search/</a></p>
  <h4>Professor Felten’s Research Team Threatened</h4>
  <p>In September 2000, a multi-industry group known as the Secure
    Digital Music Initiative (SDMI) issued a public challenge encouraging skilled
    technologists to try to defeat certain watermarking technologies intended
    to protect digital music. Princeton Professor Edward Felten and a team of
    researchers at Princeton, Rice, and Xerox took up the challenge and succeeded
    in removing the watermarks. </p>
  <p>When the team tried to present their results at an academic conference,
    however, SDMI representatives threatened the researchers with liability under
    the DMCA. The threat letter was also delivered to the researchers’ employers
    and the conference organizers. After extensive discussions with counsel,
    the researchers grudgingly withdrew their paper from the conference. The
    threat was ultimately withdrawn and a portion of the research was published
    at a subsequent conference, but only after the researchers filed a lawsuit.ß</p>
  <p>After enduring this experience, at least one of the researchers
    involved has decided to forgo further research efforts in this field.</p>
  <p>Pamela Samuelson, “Anticircumvention Rules: Threat to Science,” 293 Science 2028,
    Sept. 14, 2001.<br />
    <a href="http://www.sciencemag.org/cgi/reprint/293/5537/2028">http://www.sciencemag.org/cgi/reprint/293/5537/2028</a></p>
  <p>Letter from Matthew Oppenheim, SDMI General Counsel, to Prof.
    Edward Felten, April 9, 2001. <br />
    <a href="http://cryptome.org/sdmi-attack.htm">http://cryptome.org/sdmi-attack.htm</a></p>
  <h4>Hewlett Packard Threatens SNOsoft</h4>
  <p>Hewlett-Packard resorted to Section 1201 threats when researchers
    published their discovery of a security flaw in HP’s Tru64 UNIX operating
    system. The researchers, a loosely-organized collective known as Secure Network
    Operations (“SNOsoft”), received the DMCA threat after releasing software
    in July 2002 that demonstrated vulnerabilities that HP had been aware of
    for some time, but had not bothered to fix.</p>
  <p>After the DMCA threat received widespread press attention, HP
    ultimately withdrew the threat. Security researchers received the message,
    however—publish vulnerability research at your own risk.</p>
  <p>Declan McCullagh, “Security Warning Draws DMCA Threat,” CNET
    News, July 30, 2002.<br />
    <a href="http://news.com.com/2100-1023-947325.html">http://news.com.com/2100-1023-947325.html</a></p>
  <h4>Blackboard Threatens Security Researchers </h4>
  <p>In April 2003, educational software company Blackboard Inc. used
    a DMCA threat to stop the presentation of research on security vulnerabilities
    in its products at the InterzOne II conference in Atlanta. Students Billy
    Hoffman and Virgil Griffith were scheduled to present their research on security
    flaws in the Blackboard ID card system used by university campus security
    systems but were blocked shortly before the talk by a cease-and-desist letter
    invoking the DMCA. Blackboard obtained a temporary restraining order against
    the students and the conference organizers at a secret “ex parte” hearing
    the day before the conference began, giving the students and conference organizer
    no opportunity to appear in court or challenge the order before the scheduled
    presentation. Although the lawsuit complaint Blackboard subsequently filed
    did not mention the DMCA, its invocation in the original cease-and-desist
    letter preceding the complaint contributed to the chill the students and
    conference organizers felt in challenging the complaint and proceeding with
    the scheduled presentation.</p>
  <p>John Borland, “Court Blocks Security Conference Talk,” CNET
    News, April 14, 2003.<br />
    <a href="http://news.com.com/2100-1028-996836.html">
    http://news.com.com/2100-1028-996836.html</a></p>
  <h4>Xbox Hack Book Dropped by Publisher</h4>
  <p>In 2003, U.S. publisher John Wiley &amp; Sons dropped plans to
    publish a book by security researcher Andrew “Bunnie” Huang, citing DMCA
    liability concerns. Wiley commissioned Huang to write the book which analyzes
    security flaws Huang discovered in the process of reverse-engineering the
    Microsoft X-Box game console, after Huang published his research as part
    of his doctoral work at M.I.T. Huang did not distribute the Xbox public security
    keys which he had isolated through reverse engineering and did not copy any
    Xbox code. Although the DMCA includes exceptions for circumvention for computer
    security testing and reverse engineering, they were too narrow to be of use
    to Huang or his publisher. </p>
  <p>Following Microsoft’s legal action against the website vendor
    of an Xbox mod chip in early 2003, and the music industry’s 2001 DMCA threats
    against Professor Felten’s research team, Wiley dropped the book fearing
    that the publisher might be liable for “making available” a “circumvention
    device.” Huang’s initial attempt to self-publish was thwarted after his online
    shopping cart provider also withdrew, citing DMCA concerns. After several
    months of negotiations, Huang eventually self-published the book in mid 2003.
    The book is now being published by No Starch Press. </p>
  <p>David Becker, <i>“Testing Microsoft and the DMCA”, </i>CNET News, April 15, 2003.<br />
    <a href="http://news.com.com/2008-1082-996787.html">http://news.com.com/2008-1082-996787.html</a></p>
  <p>Clive Akass, “<i>Huang Jury on Xbox Cracker</i>”, TechNewsWorld, August 2003<i><br />
    </i><a href="http://www.technewsworld.com/perl/story/31406.html">
    http://www.technewsworld.com/perl/story/31406.html</a></p>
  <p>Seth Schiesel, <i>“Behind a Hacker’s Book, a Primer on Copyright
      Law”,</i> New York Times, Circuits, July 10, 2003.<br />
    <a href="http://www.nytimes.com/2003/07/10/technology/circuits/10xbox.html">
    http://www.nytimes.com/2003/07/10/technology/circuits/10xbox.html</a></p>
  <h4>Censorware Research Obstructed</h4>
  <p>Seth Finkelstein conducts research on “censorware” software (i.e.,
    programs that block websites that contain objectionable material), working
    to document flaws in such software, including the products of N2H2, a leading
    censorware company. Finkelstein’s research documenting websites inappropriately
    blocked by N2H2’s software assisted the ACLU’s successful First Amendment
    challenge to the use of mandatory web filtering software by federally-funded
    public libraries.<a href="#_edn6" name="_ednref6" title="">[6]</a> </p>
  <p>N2H2 claims that its encrypted list of blocked websites is legally
    protected by the DMCA against attempts to read and analyze it. Utilizing
    a limited three year exemption granted by the Librarian of Congress and Copyright
    Register in 2000, Finkelstein circumvented the encryption on the list of
    sites blocked by BESS in order to analyze flaws in that list. </p>
  <p>However, Finkelstein’s research work has been severely limited
    by the fact that the three year exemption is limited to the <i>act </i>of circumvention, and does not permit him to create
    or distribute tools that would facilitate his research. In addition, the
    existing exemption is due to expire in October 2003, and as Finkelstein testified
    before the Copyright Office in its 2003 rule-making hearing, unless the exemption
    is re-granted, Finkelstein will be unable to continue his research because
    he fears that censorware companies may bring a DMCA lawsuit against him to
    terminate his research. Even if he were later found not to have violated
    section 1201, the potential for a DMCA lawsuit would preclude him from undertaking
    further research. </p>
  <p>Jennifer 8 Lee, “Cracking the Code of Online Censorship”, New York Times, July 19, 2001.<br />
    <a href="http://www.nytimes.com/2001/07/19/technology/circuits/19HACK.html">
    http://www.nytimes.com/2001/07/19/technology/circuits/19HACK.html</a></p>
  <p>Transcript of Hearing in Copyright Office Rulemaking Proceeding RM 2002-04, tri-ennial anti-circumvention exemption hearing, April 11, 2003, at pages 11, 31 available at: <br />
    <a href="http://www.copyright.gov/1201/2003/hearings/schedule.html">http://www.copyright.gov/1201/2003/hearings/schedule.html</a></p>
  <p>Benjamin Edelman has also conducted extensive research into flaws in various censorware products. Edelman’s research led to his providing expert testimony for the ACLU in a recent federal court case challenging the constitutionality of the Children\'s Internet Protection Act (CIPA), which mandates that public
    libraries use censorware products like those sold by N2H2.</p>
  <p>In the course of his work for the ACLU, Edelman discovered that
    the DMCA might interfere with his efforts to learn what websites are blocked
    by N2H2 products. Because he sought to create and distribute software tools
    to enable others to analyze the list if it changed, Edelman could not rely
    on the limited 3 year exception. As he was not willing to risk civil and
    criminal penalties under Section 1201, Edelman was forced to go to federal
    court to seek clarification of his legal rights before he could undertake
    his legitimate research. However, underscoring the chilling effect of the
    DMCA on such research, the Court dismissed Edelman’s case for lack of standing.</p>
  <p>ACLU, “In Legal First, ACLU Sues Over New Copyright
        Law” (case archive).<br />
    <a href="http://archive.aclu.org/issues/cyber/Edelman_N2H2_feature.html">http://archive.aclu.org/issues/cyber/Edelman_N2H2_feature.html</a></p>
  <h4>Dmitry Sklyarov Arrested</h4>
  <p>In July 2001, Russian programmer Dmitry Sklyarov was jailed for
    several weeks and detained for five months in the United States after speaking
    at the DEFCON conference in Las Vegas. </p>
  <p>Prosecutors, prompted by software goliath Adobe Systems Inc.,
    alleged that Sklyarov had worked on a software program known as the Advanced
    e-Book Processor, which was distributed over the Internet by his Russian
    employer, ElcomSoft Co. Ltd. The software allowed owners of Adobe electronic
    books (“e-books”) to convert them from Adobe’s e-Book format into Adobe Portable
    Document Format (“pdf”) files, thereby removing restrictions embedded into
    the files by e-Book publishers. </p>
  <p>Sklyarov was never accused of infringing any copyrighted e-Book,
    nor of assisting anyone else to infringe copyrights. His alleged crime was
    working on a software tool with many legitimate uses, simply because third
    parties he has never met might use the tool to copy an e-Book without the
    publisher’s permission. </p>
  <p>The Department of Justice ultimately permitted Sklyarov to return
    home, but elected to proceed against his employer, ElcomSoft, under the criminal
    provisions of the DMCA. In December 2002, a jury acquitted Elcomsoft of all
    charges, completing an 18-month ordeal for the wrongly-accused Russian software
    company.</p>
  <p>Lawrence Lessig, “Jail Time in the Digital Age,” N.Y. Times at A7, July 30, 2001.<br />
    <a href="http://www.nytimes.com/2001/07/30/opinion/30LESS.html">http://www.nytimes.com/2001/07/30/opinion/30LESS.html</a></p>
  <p>Lisa Bowman, “Elcomsoft Verdict: Not Guilty,” CNET News,
    Dec. 17, 2002.<br />
    <a href="http://news.com.com/2100-1023-978176.html">http://news.com.com/2100-1023-978176.html</a></p>
  <h4>Scientists and Programmers Withhold Research</h4>
  <p>Following the legal threat against Professor Felten’s research
    team and the arrest of Dmitry Sklyarov, a number of prominent computer security
    experts have curtailed their legitimate research activities out of fear of
    potential DMCA liability. </p>
  <p>For example, prominent Dutch cryptographer and security systems
    analyst Niels Ferguson discovered a major security flaw in an Intel video
    encryption system known as High Bandwidth Digital Content Protection (HDCP).
    He declined to publish his results on his website relating to flaws in HDCP,
    on the grounds that he travels frequently to the U.S. and is fearful of “prosecution
    and/or liability under the U.S. DMCA law.” </p>
  <p>Niels Ferguson, “Censorship in Action: Why I Don’t Publish
    My HDCP Results,” Aug. 15, 2001.<br />
    <a href="http://www.macfergus.com/niels/dmca/cia.html">http://www.macfergus.com/niels/dmca/cia.html</a></p>
  <p>Niels Ferguson, Declaration in Felten &amp; Ors v R.I.A.A.
    case, Aug. 13, 2001.<br />
    <a href="http://www.eff.org/IP/DMCA/Felten_v_RIAA/20010813_ferguson_decl.html">http://www.eff.org/IP/DMCA/Felten_v_RIAA/20010813_ferguson_decl.html</a></p>
  <p>Lisa M. Bowman, “Researchers Weigh Publication, Prosecution,” CNET News,
    Aug. 15, 2001.<br />
    <a href="http://news.cnet.com/news/0-1005-200-6886574.html">http://news.cnet.com/news/0-1005-200-6886574.html</a></p>
  <p>Following the arrest of Dmitry Sklyarov, Fred Cohen, a professor
    of digital forensics and respected security consultant, removed his “Forensix” evidence-gathering
    software from his website, citing fear of potential DMCA liability. </p>
  <p>Another respected network security protection expert, Dug Song,
    also removed content from his website for the same reason. Mr. Song is the
    author of several security papers, including a paper describing a common
    vulnerability in many firewalls. </p> <p>Robert Lemos, “Security Workers: Copyright Law Stifles,” CNET News,
    Sept. 6, 2001.<br />
    <a href="http://news.com.com/2100-1001-272716.html">http://news.com.com/2100-1001-272716.html</a></p>
  <p>In mid-2001 an anonymous programmer discovered a vulnerability
    in Microsoft’s proprietary e-Book digital rights management code, but refused
    to publish the results, citing DMCA liability concerns. </p>
  <p>Wade Roush, “Breaking Microsoft\'s e-Book Code,” Technology Review at 24, November 2001. <br />
    <a href="http://www.technologyreview.com/articles/innovation11101.asp">http://www.technologyreview.com/articles/innovation11101.asp</a></p>
  <h4>Foreign Scientists Avoid U.S.</h4>
  <p>Foreign scientists have expressed concerns about traveling to
    the U.S. following the arrest of Russian programmer Dmitry Sklyarov. Some
    foreign scientists have advocated boycotting conferences held in the U.S.
    and a number of conference bodies have decided to move their conferences
    to non-U.S. locations. Russia has issued a travel warning to Russian programmers
    traveling to the U.S. </p>
  <p>Highly respected British Linux programmer Alan Cox resigned from
    the USENIX committee of the Advanced Computing Systems Association, the committee
    that organizes many of the U.S. com–puting conferences, because of his concerns
    about traveling to the U.S. Cox has urged USENIX to hold its annual conference
    offshore. The International Information Hiding Workshop Conference, the conference
    at which Professor Felten’s team intended to present its original paper,
    chose to break with tradition and held its next conference outside of the
    U.S. following the SDMI threat to Professor Felten and his team.</p>
  <p>Will Knight, “Computer Scientists boycott US over digital
    copyright law,” New Scientist, July 23, 2001.<br />
    <a href="http://www.newscientist.com/news/news.jsp?id=ns00001063">http://www.newscientist.com/news/news.jsp?id=ns00001063</a></p>
  <p>Alan Cox of Red Hat UK Ltd, declaration in Felten v. RIAA,
    Aug. 13, 2001. <a href="http://www.eff.org/IP/DMCA/Felten_v_RIAA/20010813_cox_decl.html">http://www.eff.org/IP/DMCA/Felten_v_RIAA/20010813_cox_decl.html</a></p>
  <p>Jennifer 8 Lee, “Travel Advisory for Russian Programmers,” N.Y. Times at C4, Sept.10, 2001.<br />
    <a href="http://www.nytimes.com/2001/09/10/technology/10WARN.html?searchpv=past7days">http://www.nytimes.com/2001/09/10/technology/10WARN.html</a></p>
  <h4>IEEE Wrestles with DMCA</h4>
  <p>The Institute of Electrical and Electronics Engineers (IEEE), which publishes 30 per cent of all computer science journals worldwide, recently was drawn into the controversy surrounding science and the DMCA. Apparently concerned about possible liability under Section 1201, the IEEE in November 2001 instituted a policy requiring all authors to indemnify IEEE for any liabilities incurred should a submission result in legal action under the DCMA. </p>

  <p>After an outcry from IEEE members, the organization ultimately revised its submission policies, removing mention of the DMCA. According to Bill Hagen, manager of IEEE Intellectual Property Rights, “The Digital Millennium Copyright Act has become a very sensitive subject among our authors.  It’s intended to protect digital content, but its application in some specific cases appears to have alienated large segments of the research community.”</p>

<p>IEEE press release, “IEEE to Revise New Copyright Form to
    Address Author Concerns,” April 22, 2002.<br />
    <a href="http://www.ieee.org/newsinfo/dmca.html">http://www.ieee.org/newsinfo/dmca.html</a></p>
  <p>Will Knight, “Controversial Copyright Clause Abandoned,” New Scientist, April 15, 2002.<br />
    <a href="http://www.newscientist.com/news/news.jsp?id=ns99992169">http://www.newscientist.com/news/news.jsp?id=ns99992169</a></p>
  <h4>2600 Magazine Censored</h4>
  <p>The <i>Universal City Studios</i> v. <i>Reimerdes</i> case<a href="#_edn7"
name="_ednref7" title="">[7]</a> illustrates the chilling effect that section
      1201 has had on the freedom of the press. </p>
  <p>In that case, eight major motion picture companies brought a
    DMCA suit against <i>2600</i> Magazine seeking
    to block it from publishing the DeCSS software program, which defeats the
    encryption used on DVD movies. <i>2600</i> had
    made the program available on its web site in the course of ongoing coverage
    of the controversy surrounding the DMCA. The magazine was not involved in
    the development of software, nor was it accused of having used the software
    for any copyright infringement. </p>
  <p>Notwithstanding the First Amendment’s guarantee of a free press,
    the district court permanently barred <i>2600</i> from
    publishing, or even linking to, the DeCSS software code. In November 2001,
    the Second Circuit Court of Appeals upheld the lower court decision. </p>
  <p>In essence, the movie studios effectively obtained a “stop the
    presses” order banning the publication of truthful information by a news
    publication concerning a matter of public concern—an unprecedented curtailment
    of well-established First Amendment prin–ciples.</p>
  <p>Carl S. Kaplan, “Questioning Continues in Copyright Suit,” N.Y.  Times, May 4, 2001. <br />
    <a href="http://www.nytimes.com/2001/05/04/technology/04CYBERLAW.html">http://www.nytimes.com/2001/05/04/technology/04CYBERLAW.html</a></p>
  <p>Simson Garfinkel, “The Net Effect: The DVD Rebellion,”Technology Review at 25, July/Aug. 2001. <br />
    <a href="http://www.technologyreview.com/magazine/jul01/garfinkel.asp">http://www.technologyreview.com/articles/garfinkel0701.asp</a></p>
  <p> Xenia P. Kobylarz, “DVD Case Clash—Free Speech Advocates
    Say Copyright Owners Want to Lock Up Ideas; Encryption Code is Key,” S.F. Daily Journal, May 1, 2001.</p>
  <h4>CNET Reporter Feels Chill</h4>
  <p>Prominent CNET News reporter Declan McCullagh recently found
    four publicly-available documents on the Transportation Security Administration
    (TSA) website. The website announced that the documents contained information
    about airport security procedures, the relationship between federal and local
    police, and a “liability information sheet.” A note on the site stated that
    this “information is restricted to airport management and local law enforcement.” No
    password was necessary to download the documents, but they were distributed
    in encrypted form and a password was required to open and read them. </p>
  <p>McCullagh obtained the passwords from an anonymous source, but
    fear of DMCA liability stopped him from reading the documents—using a password
    without authorization could violate Section 1201. This is particularly ironic,
    as any foreign journalist beyond the reach of the DMCA would be free to use
    the password. </p>
  <p>“Journalists traditionally haven\'t worried about copyright law
    all that much,” said McCullagh, “But nowadays intellectual property rights
    have gone too far, and arguably interfere with the newsgathering process.” </p>
  <p>Declan McCullagh, “Will This Land Me in Jail?”, CNET News, Dec. 23, 2002.<br />
    <a href="http://news.com.com/2010-1028-978636.html">http://news.com.com/2010-1028-978636.html</a></p>
  <h4>Microsoft Threatens Slashdot</h4>
  <p>In spring 2000, Microsoft invoked the DMCA against the Internet
    publication forum Slashdot, demanding that forum moderators delete materials
    relating to Microsoft’s proprietary implementation of an open security standard
    known as Kerberos. </p>
  <p>In the Slashdot forum, several individuals alleged that Microsoft
    had changed the open, non-proprietary Kerberos specification in order to
    prevent non-Microsoft servers from interacting with Windows 2000. Many speculated
    that this move was intended to force users to purchase Microsoft server software.
    Although Microsoft responded to this criticism by publishing its Kerberos
    specification, it conditioned access to the specification on agreement to
    a “click-wrap” license agreement that expressly forbade disclosure of the
    specification without Microsoft’s prior consent. </p>
  <p>Slashdot posters responded by republishing the Microsoft specification.
    Microsoft then invoked the DMCA, demanding that Slashdot remove the republished
    specifications. </p>
  <p>In the words of Georgetown law professor Julie Cohen, “If Microsoft\'s
    interpretation of the DMCA\'s ban on circumvention technologies is right,
    then it doesn\'t seem to matter much whether posting unauthorized copies of
    the Microsoft Kerberos specification would be a fair use. A publisher can
    prohibit fair-use commentary simply by implementing access and disclosure
    restrictions that bind the entire public. Anyone who discloses the information,
    or even tells others how to get it, is a felon.”</p>
  <p>Julie Cohen, “Call it the Digital Millennium <i>Censorship</i> Act – Unfair Use,” The New Republic, May 23, 2000. <br />
    <a href="http://www.thenewrepublic.com/cyberspace/cohen052300.html">http://www.thenewrepublic.com/cyberspace/cohen052300.html</a></p>
  <h4>AVSforum.com Censors TiVo Discussion</h4>
  <p>The specter of DMCA litigation has chilled speech on smaller
    web bulletin boards as well. In June 2001, for example, the administrator
    of AVSforum.com, a popular forum where TiVo digital video recorder owners
    discuss TiVo features, censored all discussion about a software program that
    allegedly permitted TiVo users to move video from their TiVos to their personal
    computers. In the words of the forum administrator, “My fear with this is
    more or less I have no clue what is a protected system on the TiVo box under
    copyright (or what-have-you) and what is not. Thus my fear for the site.”</p>
  <p>Lisa M. Bowman, “TiVo Forum Hushes Hacking Discussion,” CNET News,
    June 11, 2001. <br />
    <a href="http://news.cnet.com/news/0-1005-200-6249739.html">http://news.cnet.com/news/0-1005-200-6249739.html</a></p>
  <h4>Mac Forum Censors iTunes Store Discussion</h4>
  <p>Macintosh enthusiast website Macosxhints censored publication
    of information about methods for evading the copy protection on songs purchased
    from the Apple iTunes Music Store in May 2003, citing DMCA liability concerns.
    Songs purchased from the Apple iTunes Music Store are downloaded in Apple’s
    proprietary AAC file format, wrapped in digital copy protection. This prevents
    purchasers from playing the songs on non-iPod portable MP3 players or from
    transferring songs to non Mac OS computers for personal, non-commercial use,
    even if that would be considered fair use under copyright law. As the webmaster
    for the site noted, even though information on bypassing the copy protection
    was readily available on the Internet at the time, republishing user hints
    on work-arounds risked attracting a DMCA lawsuit and harsh penalties.</p>
  <p><a href="http://www.macosxhints.com/article.php?story=20030507104823670#comments">http://www.macosxhints.com/article.php?story=20030507104823670#comments</a></p>
  <h3>4.&nbsp;&nbsp; Fair Use
    Under Siege </h3>
  <p>“Fair use” is a crucial element in American copyright law—the
    principle that the public is entitled, without having to ask permission,
    to use copyrighted works in transformative ways or other ways that do not
    unduly interfere with the copyright owner’s market for a work. Fair uses
    include personal, noncommercial uses, such as using a VCR to record a television
    program for later viewing. Fair use also includes activities undertaken for
    purposes such as criticism, comment, news reporting, teaching, scholarship
    or research. </p>
  <p>While stopping copyright infringement is an important policy
    objective, Section 1201 throws out the baby of fair use with the bathwater
    of digital piracy. By employing technical protection measures to control
    access to and use of copyrighted works, and using section 1201 litigation
    against anyone who tampers with those measures, copyright owners can unilaterally
    eliminate fair use, re-writing the copyright bargain developed by Congress
    and the courts over more than a century. </p>
  <h4>Copy-protected CDs </h4>
  <p>The introduction of “copy-protected” CDs into the marketplace
    illustrates the collision between fair use and the DMCA. Record labels are
    aggressively incorporating “copy-protection” on new music releases. Over
    10 million copy-protected discs are already in circulation, according to
    Midbar Technology Ltd, (now Macrovision), one vendor of copy-protection technology.
    Sony claims that it has released over 11 million copy-protected discs worldwide.
    Executives from major record labels EMI and BMG have both stated that a significant
    proportion of all CDs released in the U.S. will be copy-protected by the
    end of 2003.</p>
  <p>Whatever the impact that these copy protection technologies may
    have on online infringement, they are certain to interfere with the fair
    use expectations of consumers. For example, copy-protected discs will disappoint
    the hundreds of thousands of consumers who have purchased MP3 players, despite
    the fact that making an MP3 copy of a CD for personal use is a fair use.
    Making “mix CDs” or copies of CDs for the office or car are other examples
    of fair uses that are potentially impaired by copy-protection technologies. </p>
  <p>Companies that distribute tools to “repair” these dysfunctional
    CDs, restoring to consumers their fair use privileges, run the risk of lawsuits
    under section 1201’s ban on circumvention tools and technologies.</p>
  <p>Rep. Rick Boucher, “Time to Rewrite the DMCA,” CNET News, Jan. 29, 2002. <br />
    <a href="http://news.com.com/2010-1078-825335.html">http://news.com.com/2010-1078-825335.html</a></p>
  <p>Dan Gillmor, “Entertainment Industry\'s Copyright Fight Puts
    Consumers in Cross Hairs,” San Jose Mercury News, Feb. 12, 2002.<br /> <a href="http://www.siliconvalley.com/mld/siliconvalley/2658555.htm">http://www.siliconvalley.com/mld/siliconvalley/2658555.htm</a></p>
  <p>Gwendolyn Mariano, “Copy-Protected CDs Slide Into Stores,” CNET News,
    Feb. 12, 2002.<br />
    <a href="http://news.com.com/2100-1023-835841.html">http://news.com.com/2100-1023-835841.html</a></p>
  <p>Jon Healey and Jeff Leeds, “Record Labels Grapple with CD
    Protection”, Los Angeles Times, November
    29, 2002, C.1. (subscription required for full article)<br />
    <a href="http://www.latimes.com/business/la-fi-secure29nov29.story">
    http://www.latimes.com/business/la-fi-secure29nov29.story</a></p>
  <h4>Fair Use Tools Banned</h4>
  <p>We are entering an era where books, music and movies will increasingly
    be “copy-protected” and otherwise restricted by technological means. Whether
    scholars, researchers, commentators and the public will continue to be able
    to make legitimate fair uses of these works will depend upon the availability
    of tools to bypass these digital locks. </p>
  <p>The DMCA’s anti-circumvention provisions, how–ever, prohibit
    the creation or distribution of these tools, even if they are crucial to
    fair use. So, as copyright owners use technology to press into the 21st century,
    the public will see more and more fair uses whittled away by digital locks
    allegedly intended to “prevent piracy.” Perhaps more importantly, <b>no future
    fair uses will be developed</b>—after all,
    before the VCR, who could have imagined that fair use “time-shifting” of
    television would become common-place for the average consumer? </p>
  <p>Copyright owners argue that these tools, in the hands of copyright
    infringers, can result in “Internet piracy.” But the traditional answer for
    piracy under copyright law has been to seek out and prosecute the infringers,
    not to ban the tools that enable fair use. After all, photocopiers, VCRs,
    and CD-R burners can also be misused, but no one would suggest that the public
    give them up simply because they might be used by others to break the law.</p>
  <h4>DeCSS, DVD Copy Plus and DVD CopyWare</h4>
  <p>Fair use tools have already been yanked off the market. In the <i>Universal
      v. Reimerdes</i> case, discussed above,
      the court held that Section 1201 bans DeCSS software. This software decrypts
      DVD movies, making it possible to copy them to a PC. In another case, 321
      Studios LLC has filed a declaratory judgment action in San Francisco after
      being threatened with DMCA liability by the MPAA for distributing DVD Copy
      Plus, which enables DVD owners to make copies of DVD content. The major
      motion picture studios have since counter-sued, alleging that DVD copying
      tools violate the DMCA.</p>
  <p>In a separate case, studios Paramount Pictures and Twentieth
    Century Fox have used the DMCA to sue Tritton Technologies, the manufacturer
    of DVD CopyWare, and three website distributors of other software that consumers
    can use to make a copy of the DVDs they have purchased.</p>
  <p>There are many legitimate reasons to copy DVDs. Once the video
    is on the PC, for example, lots of fair uses become possible—film scholars
    can digitally analyze the film, travelers can load the movie into their laptops,
    and parents can fast-forward through the “unskippable” commercials that preface
    certain films. Without the tools necessary to copy DVDs, however, these fair
    uses become impossible.</p>
  <p>Matthew Mirapaul, “They’ll Always Have Paris (and the Web),” N.Y. Times at
    E2, March 16, 2002.</p>
  <p>Lisa Bowman, “Hollywood Targets DVD- Copying Upstart,” CNET
    News, Dec. 20, 2002.</p>
  <p><a
href="http://news.com.com/2100-1023-978580.html">http://news.com.com/2100-1023-978580.html</a></p>
  <p><i>Paramount Pictures Corporation et al v. Tritton Technologies Inc. et al</i>, No. CV 03-7316 (S.D.N.Y. filed Sept.17, 2003). </p>
  <h4>Advanced e-Book Processor and e-Books</h4>
  <p>The future of fair use for books was at issue in the criminal
    prosecution of Dmitry Sklyarov and ElcomSoft. As discussed above, ElcomSoft
    produced and distributed a tool called the Advanced e-Book Processor, which
    translates e-books from Adobe’s e&#8209;Book format to Adobe’s Portable Document
    Format (“PDF”). This translation process removes the various restrictions
    (against copying, printing, text-to-speech processing, etc.) that publishers
    can impose on e&#8209;Books. The program is designed to work only with e&#8209;Books
    that have been lawfully purchased from sales outlets. </p>
  <p>The Advanced e-Book Processor allowed those who have legitimately
    purchased e&#8209;Books to make fair uses of their e&#8209;Books, which would
    otherwise not be possible with the current Adobe e&#8209;Book format. For
    instance, the program allows people to engage in the following activities,
    all of which are fair uses: </p>
  <p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; read
    it on a laptop or computer other than the one on which the e&#8209;Book was
    first downloaded; </p>
  <p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; continue
    to access a work in the future, if the particular technological device for
    which the e&#8209;Book was purchased becomes obsolete; </p>
  <p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; print
    an e&#8209;Book on paper; </p>
  <p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; read
    an e&#8209;Book on an alternative operating system such as Linux (Adobe\'s
    format works only on Macs and Windows PCs); </p>
  <p>·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; have
    a computer read an e&#8209;Book out loud using text-to-speech software, which
    is particularly important for visually-impaired individuals. </p>
  <p>EFF, Frequently Asked Questions re U.S. v. Sklyarov.</p>
  <p><a
href="http://www.eff.org/IP/DMCA/US_v_Sklyarov/us_v_sklyarov_faq.html">http://www.eff.org/IP/DMCA/US_v_Sklyarov/us_v_sklyarov_faq.html</a></p>
  <h4>Time-shifting and Streaming Media</h4>
  <p>As more consumers receive audio and video content from “streaming” Internet
    media sources, they will demand tools to preserve their settled fair use
    expectations, including the ability to “time-shift” programming for later
    listening or viewing. As a result of the DMCA, however, the digital equivalents
    of VCRs and cassette decks for streaming media may never arrive.</p>
  <p>Start-up software company Streambox developed exactly such a
    product, known simply as the Streambox VCR, designed to time-shift streaming
    media. When competitor RealNetworks discovered that Streambox had developed
    a competing streaming media player, it invoked the DMCA and obtained an injunction
    against the Streambox VCR product. </p>
  <p><i>RealNetworks, Inc.</i> v. <i>Streambox,
      Inc.,</i> 2000 WL 127311 (W.D. Wash. Jan.
      18, 2000).</p>
  <p>The DMCA has also been invoked to threaten the developer of an
    open source, noncommercial software application known as Streamripper that
    records MP3 audio streams for later listening.</p>
  <p>Cease and desist letter from Kenneth Plevan on behalf of
    Live365.com to John Clegg, developer of Streamripper, April 26, 2001.</p>
  <p><a href="http://streamripper.sourceforge.net/dc.php">http://streamripper.sourceforge.net/dc.php</a></p>
  <h4>embed and Fonts</h4>
  <p>In January 2002, typeface vendor Agfa Monotype Corporation threatened
    a college student with DMCA liability for creating “embed,” a free, open
    source, noncommercial software program designed to manipulate TrueType fonts. </p>
  <p>According to the student: “I wrote embed in 1997, after discovering
    that all of my fonts disallowed embedding in documents. Since my fonts are
    free, this was silly—but I didn\'t want to take the time to… change the flag,
    and then reset all of the extended font properties with a separate program.
    What a bore! Instead, I wrote this program to convert all of my fonts at
    once. The program is very simple; it just requires setting a few bits to
    zero. Indeed, I noticed that other fonts that were licensed for unlimited
    distribution also disallowed embedding…. So, I put this program on the web
    in hopes that it would help other font developers as well.”</p>
  <p> Agfa Monotype nevertheless threatened the student author with
    DMCA liability for distributing the program. According to Agfa, the fact
    that embed can be used to allow distribution of protected fonts makes it
    contraband under Section 1201, notwithstanding the fact that the tool has
    many legitimate uses in the hands of hobbyist font developers.</p>
  <p>Tom Murphy, “embed: DMCA Threats.” <a
href="http://www.andrew.cmu.edu/~twm/embed/dmca.html">http://www.andrew.cmu.edu/~twm/embed/dmca.html</a></p>
  <p>Cease and Desist letter sent by Agfa.<br />
    <a href="http://www.chillingeffects.org/copyright/notice.cgi?NoticeID=264">
    http://www.chillingeffects.org/copyright/notice.cgi?NoticeID=264</a></p>
  <h3>5.&nbsp;&nbsp; A threat
    to innovation and competition</h3>
  <p>The DMCA is being used to hinder the efforts of legitimate competitors
    to create interoperable products. </p>
  <p>For example, Vivendi-Universal\'s Blizzard video game division
    invoked the DMCA in an effort to intimidate the developers of a software
    product derived from legitimate reverse engineering. Sony has used the DMCA
    to threaten hobbyists who created competing software for Sony’s Aibo robot
    dog, as well as to sue makers of software that permits the playing of Playstation
    games on PCs. In each of these cases, the DMCA was used to deter a marketplace
    competitor, rather than to battle piracy.</p>
  <h4>Lexmark Sues Over Toner Cartridges</h4>
  <p>Lexmark, the second-largest printer vendor in the U.S., has long
    tried to eliminate aftermarket laser printer toner vendors that offer toner
    cartridges to consumers at prices below Lexmark’s. In January 2003, Lexmark
    employed the DMCA as a new weapon in its arsenal. Lexmark obtained a DMCA
    injunction banning printer microchip manufacturer Static Control Components
    from selling chips it claimed were “technology” which “circumvented” certain “authentication
    routines” between Lexmark toner cartridges and printers. </p>
  <p>Lexmark added these authentication routines explicitly to hinder
    aftermarket toner vendors. Static Control reverse-engineered these measures
    and sold “Smartek” chips that enabled aftermarket cartridges to work in Lexmark
    printers. Lexmark used the DMCA to obtain an injunction banning Static Control
    from selling its reverse-engineered chips to cartridge remanufacturers.<a
href="#_edn8" name="_ednref8" title="">[8]</a> Static
    Control has appealed that decision and countered by filing an anti-trust
    lawsuit. Whatever the merits of Lexmark’s position, it is fair to say that
    eliminating the laser printer toner aftermarket was not what Congress had
    in mind when enacting the DMCA.</p>
  <p>Declan McCullagh, “Lexmark Invokes DMCA in Toner Suit,” CNET News, Jan. 8, 2003.<br />
    <a href="http://news.com.com/2100-1023-979791.html">http://news.com.com/2100-1023-979791.html</a></p>
  <p>Steve Seidenberg, “Copyright Owners Sue Competitors,” NATIONAL LAW JOURNAL, Feb. 17, 2003.<br />
    <a href="http://www.nlj.com/business/020303bizlede.shtml">http://www.nlj.com/business/020303bizlede.shtml</a></p>
  <h4>Chamberlain Sues Universal Garage Door Opener Manufacturer</h4>
  <p>Garage door opener manufacturer Chamberlain Group invoked the
    DMCA against competitor Skylink Technologies after several major U.S. retailers
    dropped Chamberlain’s remote openers in favor of the less expensive Skylink
    universal “clickers”.<a href="#_edn9" name="_ednref9" title="">[9]</a> Chamberlain claimed that Skylink’s interoperable
    clicker violates the DMCA by bypassing an “authentication regime” between
    the Chamberlain remote opener and the mounted garage door receiver unit.</p>
  <p>Skylink reverse engineered the algorithm used by the garage door
    receiver’s computer program. Skylink’s transmitter sends three static codes
    which trigger a resynchronization function and open the garage door. Even
    though the Skylink clicker does not use the “rolling code” sent by the Chamberlain
    transmitter, Chamberlain claims that it “bypasses” its “authentication routine” to
    use the computer program that controls the door’s motor. On this view, a
    consumer who replaced his lost or damaged Chamberlain clicker with one of
    Skylink’s cheaper universal clickers would not be allowed to “access” his
    own garage. The same argument would apply equally to ban universal remote
    controls for televisions. </p>
  <p>Although Skylink defeated Chamberlain on a motion for summary
    judgment, Chamberlain has sought to ban the import and sale of Skylink clickers
    into the U.S. by filing a simultaneous lawsuit against Skylink and the clicker’s
    Chinese manufacturer in the International Trade Commission. Whatever the
    outcome of that suit, it is clear that in enacting the DMCA, Congress did
    not intend to give copyright owners the right to veto the creation of interoperable,
    non-copyrightable goods and technologies.</p>
  <p>Steve Seidenberg, Suits Test Limits of Digital Copyright
    Act, National Law Journal, February
    7, 2003:<br />
    <a href="http://www.law.com/jsp/article.jsp?id=1044059435217">
    http://www.law.com/jsp/article.jsp?id=1044059435217</a></p>
  <p>Katie Dean, “Lexmark: New Fuel for DMCA Foes,”Wired, March 6, 2003:<br />
   <a href="http://www.wired.com/news/digiwood/0,1412,57907-2,00.html">http://www.wired.com/news/digiwood/0,1412,57907-2,00.html</a></p>
  <h4>Sony Sues Connectix and Bleem</h4>
  <p>Since the DMCA’s enactment in 1998, Sony has used DMCA litigation
    to pressure competitors who created software that would allow PC owners to
    play games intended for the Sony Playstation video game console. In 1999,
    Sony sued Connectix Corporation, the manufacturer of the Virtual Game Station,
    an emulator program which allowed Sony Playstation games to be played on
    Apple Macintosh computers. Sony also sued Bleem, the leading vendor of Playstation
    emulator software for Windows PCs. </p>
  <p>In both cases, Sony claimed, then subsequently withdrew circumvention
    violations against Sony competitors that had created their products by engaging
    in legitimate reverse engineering, which has been recognized as noninfringing
    fair use in a series of Ninth Circuit cases. Connectix, in fact, ultimately
    won a Ninth Circuit ruling that its reverse engineering was indeed fair use.<a href="#_edn10" name="_ednref10" title="">[10]</a> Both Connectix and Bleem, however,
    were unable to bear the high costs of litigation against Sony and ultimately
    were forced to pull their products off the market. Whatever the merits of
    Sony’s position may have been under copyright, trademark, patent, or other
    legal theories, the competitive efforts of Connectix and Bleem certainly
    were at a far remove from the “black box” piracy devices that Congress meant
    to target with section 1201.</p>
  <p>Pamela Samuelson, “Intellectual Property and the Digital
    Economy: Why the Anti-Circumvention Regulations Need to be Revised,” 14 Berkeley Technology L.J. 519, 556 (1999)
    (discussing the Connectix case).<br />
    <u><a
href="http://www.sims.berkeley.edu/~pam/papers.html">http://www.sims.berkeley.edu/~pam/papers.html</a></u></p>
  <p>Testimony of Jonathan Hangartner on behalf of Bleem, Library
    of Congress, Hearing on DMCA, Stanford University, May 19, 2000, pp. 221-28.<br />
    <u><a
href="http://www.loc.gov/copyright/1201/hearings/1201-519.pdf">http://www.loc.gov/copyright/1201/hearings/1201-519.pdf</a></u></p>
  <h4>Sony Threatens Aibo Hobbyist</h4>
  <p>Sony has also invoked the DMCA against a hobbyist who developed
    custom programs for Sony’s Aibo robotic “pet” dog. The hobbyist cracked the
    encryption surrounding the source code that manipulates the Aibo to reverse
    engineer programs that allow owners to customize voice recognition by their
    Aibos. The hobbyist revealed neither the decrypted source code nor the code
    he used to defeat the encryption, freely distributed his custom programs,
    and made no profit. Nevertheless, Sony claimed that the act of circum–venting
    the encryption surrounding the source code violated the DMCA and demanded
    that the hobbyist remove his programs from his website. </p>
  <p>Responding to public outcry, Sony ultimately permitted the hobbyist
    to repost some of his programs (on the understanding that Sony will have
    the rights of commercial development in the programs). The incident, however,
    illustrated Sony’s willingness to invoke the DMCA in situations with no relationship
    to “piracy.”</p>
  <p>David Labrador, &quot;Teaching Robot Dogs New Tricks,&quot;Scientific American, Feb. 12, 2002.<br />
    <a href="http://www.sciam.com/explorations/2002/012102aibo/">http://www.sciam.com/explorations/2002/012102aibo/</a></p>
  <h4>Blizzard Sues bnetd.org </h4>
  <p>Section 1201 has been invoked in a federal lawsuit by Vivendi-Universal\'s
    Blizzard Entertainment video game division against a group of volunteer game
    enthusiasts who used reverse engineering to create free and open source software
    to allow owners of Blizzard games to play the games over the Internet. The
    software, a server called &quot;bnetd,&quot; provides an alternative to Blizzard\'s
    own Battle.net servers.</p>
  <p>Both Battle.net servers and bnetd servers are available for free
    and both allow owners of Blizzard games to play with each other across the
    Internet. The group of volunteers decided to create bnetd to overcome difficulties
    that they had experienced in attempting to use Battle.net. The bnetd software
    is freely distributed, open source, and non-commercial. </p>
  <p>Blizzard filed suit in St. Louis to bar distribution of bnetd,
    alleging that the software is a circumvention device that violates the DMCA.
    According to Blizzard, the bnetd software has been used by some to permit
    networked play of pirated Blizzard games. Whether or not that is true, the
    developers are not using the software for that purpose, nor was the software
    designed for that purpose. The software has numerous legitimate uses for
    owners of Blizzard games. Whatever else may be said about the bnetd software,
    it is plainly not a “black box” piracy device. (EFF is representing the bnetd
    developers.) </p>
  <p>Howard Wen, “Battle.net Goes To War,”Salon, April 18, 2002.<a
href="http://news.com.com/2100-1040-858414.html"> http://archive.salon.com/tech/feature/2002/04/18/bnetd/</a></p>
  <p>EFF case archive. <br />
    <a href="http://www.eff.org/IP/Emulation/Blizzard_v_bnetd/">http://www.eff.org/IP/Emulation/Blizzard_v_bnetd/</a></p>
  <h4>Sony Attacks Playstation “Mod Chips” </h4>
  <p>Apart from using the DMCA against vendors of personal computer
    emulators of Sony’s Playstation, Sony has sued a number of manufacturers
    of so-called “mod chips” for alleged circumvention under the DMCA. In doing
    so, Sony has been able to enforce a system of geographical regional restrictions
    that raises significant anticompetitive issues. </p>
  <p>So-called “mod chips” are after-market accessories that modify
    Playstation consoles to permit games legitimately purchased in one part of
    the world to be played on a games console from another geographical region.
    Sony has sued mod chip manufacturers in the U.S., the U.K., and Australia. In the U.S., Sony sued Gamemasters, Inc., distributor
    of the Game Enhancer peripheral device, which allowed U.S. Playstation users
    to play games purchased in Japan and other countries. Although there was
    no infringement of Sony’s copyright, the court granted an injunction under
    the DMCA’s anti-circumvention provisions, effectively banning the use of
    a technology that would permit users to use legitimately-purchased non-infringing
    games from other regions.</p>
  <p>Recognizing the anti-competitive potential of the region playback
    control system, the Australian anti-trust authority, the Australian Consumers
    and Competition Commission intervened in a case Sony ultimately won against
    an Australian mod chip manufacturer under the Australian equivalent of the
    DMCA’s anti-circumvention provisions.</p>
  <p>Sony has argued that mod chips can also be used to enable the
    use of unauthorized copies of Playstation games. But most Playstation mod
    chips are not “black box” devices suitable only for piracy. The potential
    illegitimate uses must be weighed against legitimate uses, such as defeating
    Sony’s region coding system to play games purchased in other countries. </p>
  <p>“Sony Playstation ruling sets far-reaching precedent,”New Scientist, Feb. 22, 2002 <a
href="http://www.newscientist.com/news/news.jsp?id=ns99991933">http://www.newscientist.com/news/news.jsp?id=ns99991933</a></p>
  <p><i>Sony Computer Entertainment America Inc</i>. v. <i>Gamemasters</i>, 87 F.Supp.2d 976 (N.D. Cal. 1999).</p>
  <p>David Becker, “Sony Loses Australian Copyright Case,” CNET
    News, July 26, 2002.<u> <a
href="http://news.com.com/2100-1040-946640.html">http://news.com.com/2100-1040-946640.html</a></u></p>
  <h4>Apple Harasses Inventive Retailer</h4>
  <p>When Other World Computing (OWC), a small retailer specializing
    in Apple Macintosh computers, developed a software patch that allowed all
    Mac owners to use Apple’s iDVD software, they thought they were doing Apple’s
    fans a favor. For their trouble, they got a DMCA threat from Apple.</p>
  <p>Apple’s iDVD authoring software was designed to work on newer
    Macs that shipped with <i>internal</i> DVD
    recorders manufactured by Apple. OWC discovered that a minor software modification
    would allow iDVD to work with <i>external </i>DVD recorders, giving owners of older Macs an upgrade
    path. Apple claimed that this constituted a violation of the DMCA and requested
    that OWC stop this practice immediately. OWC obliged. </p>
  <p>Rather than prevent copyright infringement, the DMCA empowered
    Apple to force consumers to buy new Mac computers instead of simply upgrading
    their older machines with an external DVD recorder.</p>
  <p>Declan McCullagh “Apple: Burn DVDs—and We’ll Burn You,” CNET
    News, Aug. 28, 2002.<br />
    <a href="http://news.com.com/2100-1023-955805.html">http://news.com.com/2100-1023-955805.html</a></p>
  <h3>6.&nbsp;&nbsp; DMCA becomes
    general purpose ban on computer network access</h3>
  <p>In a different type of misuse, the DMCA’s anti-circumvention
    provisions have recently been utilized as a general-purpose prohibition on
    computer network access. Several federal “anti-hacking” statutes already
    protect computer network owners from unauthorized intrusions. These include
    the Computer Fraud and Abuse Act, the Wiretap Act, and the Electronic Communications
    Privacy Act. In addition, the common law doctrine of trespass to chattels
    has also been widely used for this purpose. However, unlike each of these
    regimes which seek to balance important public policy goals by only outlawing
    behavior that meets certain conditions and causes significant financial harm
    to computer owners, the DMCA contains no financial damage threshold. </p>
  <p>Given the very specific existing statutory regimes that regulate
    this type of behavior, it is clear that Congress did not intend that the
    DMCA would be used in this way to create a new and absolute prohibition on
    accessing computer networks in the absence of any type of copyrighted work. </p>
  <h4>Disgruntled Ex-employer Sues For Unauthorized Network Access</h4>
  <p>In April 2003, an automated stock trading company sued a former
    contract programmer under the DMCA, claiming that his access to the company’s
    computer system over a password-protected Virtual Private Network tunnel
    connection was an act of circumvention. Pearl Investments had employed the
    programmer to create a software module for its software system. In order
    to complete the work remotely, the programmer connected a separate server
    to the company’s server, to which he connected from a VPN tunnel from his
    office. Although the contractor created a very successful software module
    for the company, the relationship turned frosty after the company ran into
    financial difficulties and terminated the contractor’s contract. </p>
  <p>The company sued the contractor when it discovered the contractor’s
    server connected to the its system, claiming electronic trespass, violation
    of the anti-hacker legislation, the Computer Fraud and Abuse Act (CFAA) and
    violation of the DMCA’s anti-circumvention provisions. Pearl claimed that
    it had taken away the authorization it had previously given to the contractor
    to access its system through the password-protected VPN and that the VPN
    connection was therefore unauthorized. The Court rejected the company’s electronic
    trespass and CFAA claims due to lack of evidence of any actual damage done.
    Even though the second server was not being used by the programmer at the
    time, and its hard drive had been accidentally wiped, the court agreed with
    Pearl that the <i>existence</i> of the VPN
    was a prohibited circumvention of a technological protection measure that
    controlled access to a system which contained copyrighted software. </p>
  <p>As the DMCA has no harm threshold, the anti-circumvention provisions
    are open to misuse by unscrupulous companies who seek to avoid paying former
    employees or contractors by revoking authority previously granted and then
    alleging circumvention. </p>
  <p><i>Pearl Investments LLC v. Standard I/O, Inc.</i>, 257 F. Supp. 2d 326 (D.Me., April 23, 2003).</p>
  <h3>7.&nbsp;&nbsp; Conclusion</h3>
  <p>Five years of experience with the “anti-circumvention” provisions
    of the DMCA demonstrate that the statute reaches too far, chilling a wide
    variety of legitimate activities in ways Congress did not intend. As an increasing
    number of copyright works are wrapped in technological protection measures,
    it is likely that the DMCA’s anti-circumvention provisions will be applied
    in further unforeseen contexts, hindering the legitimate activities of innovators,
    researchers, the press, and the public at large. </p>
<br />
<div class=Section3>
  <p>EFF would like to thank the following individuals who have helped to create
    and update this publication: <br />
    the Samuelson Law, Technology &amp; Public Policy Clinic, Deirdre Mulligan,
    Nicky Ozer, and Nicolai Nielsen.</p>
</div>
<br />
<hr size=1 />
<div id=edn1>
  <p><a href="#_ednref1" name="_edn1" title="">[1]</a> For examples of Congress’ stated purpose
    in enacting the DMCA’s anti-circumvention provisions, <i>see</i> 144 Cong. Rec. H7093, H7094-5 (Aug. 4, 1998); Senate
    Judiciary Comm., S. Rep. 105-190 (1998) at 29; Judiciary Comm., H. Rep. 105-551
    Pt 1 (1998) at 18; House Commerce Comm., H. Rep. 105-551 Pt 2 (1998) at 38.</p>
</div>
<div id=edn2>
  <p><a href="#_ednref2" name="_edn2" title="">[2]</a> <i>See</i> <i>WIPO Copyright Treaties Implementation Act and Online Copyright
      Liability Limitation Act: Hearing on H.R. 2281 and H.R. 2280 before the
      House Subcomm. on Courts and Intellectual Prop</i>., 105th Cong., 1st sess. (Sept. 16, 1997) at 62 (testimony of Asst.
      Sec. of Commerce and Commissioner of Patents and Trademarks Bruce A. Lehman
      admitting that section 1201 went beyond the requirements of the WIPO Copyright
      Treaty). </p>
</div>
<div id=edn3>
  <p><a href="#_ednref3" name="_edn3" title="">[3]</a> For a full description of the events leading up to the enactment of the DMCA, <i>see</i> Jessica Litman, Digital Copyright 89-150 (2000).</p>
</div>
<div id=edn4>
  <p><a href="#_ednref4" name="_edn4" title="">[4]</a> <i>See</i> Pamela Samuelson, <i>Intellectual Property and the Digital Economy:
      Why the Anti-Circumvention Regulations Need to be Revised</i>, 14 Berkeley Technology L.J. 519, 537-57 (1999) (<a href="http://www.sims.berkeley.edu/~pam/papers.html">http://www.sims.berkeley.edu/~pam/papers.html</a>)</p>
</div>
<div id=edn5>
  <p><a href="#_ednref5" name="_edn5" title="">[5]</a> <i>See</i> Professor Ross Anderson, Cambridge University, Declaration in <i>Felten
      v. RIAA </i>(Oct. 22, 2001), describing
      ways in which the DCMA is suppressing research into security weaknesses
      in SDMI watermarking technology: (<a
href="http://www.eff.org/IP/DMCA/Felten_v_RIAA/20011022_anderson_decl.pdf">http://www.eff.org/IP/DMCA/Felten_v_RIAA/20011022_anderson_decl.pdf</a>).</p>
</div>
<div id=edn6>
  <p><a href="#_ednref6" name="_edn6" title="">[6]</a> <i>Mainstream Loudoun v. Board of Trustees</i>,
      24 F.Supp.2d 552 (E.D.Va, 1998).</p>
</div>
<div id=edn7>
  <p><a href="#_ednref7" name="_edn7" title="">[7]</a> 111 F. Supp. 2d. 294 (S.D.N.Y. 2000), <i>aff’d</i> 273 F.3d 429 (2d Cir. 2001).</p>
  <p><a href="#_ednref8" name="_edn8" title="">[8]</a> <i>Lexmark International, Inc. v. Static Control Components, Inc</i>., (E.D. Ky Civil Action No. 02-571 KSF, unreported decision, February 27, 2003), available at EFF’s website at:<br /> 
<a href="http://www.eff.org/Cases/Lexmark_v_Static_Controls/">http://www.eff.org/Cases/Lexmark_v_Static_Controls/</a></p>

  <p><a href="#_ednref9" name="_edn9" title="">[9]</a> <i>The Chamberlain Group, Inc. v. Skylink Technologies, Inc.,</i> (N.D. Ill., Civil Action No. 02 C 6376). Complaint, Plaintiff’s Motion for Summary Judgment and Defendant’s Opposition to Motion for Summary Judgment, available at EFF’s website at: <br />
<a href="http://www.eff.org/Cases/Chamberlain_v_Skylink/">http://www.eff.org/Cases/Chamberlain_v_Skylink/</a></p>
</div>
<div id=edn10>
  <p><a href="#_ednref10" name="_edn10" title="">[10]</a> <i>Sony Computer Entertainment, Inc</i>. v. <i>Connectix Corporation,</i> 203 F.3d 596 (9th Cir. 2000).</p>
</div>
</div>
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